Showing posts with label evangeline lilly. Show all posts
Showing posts with label evangeline lilly. Show all posts

Thursday, December 26, 2013

The Hobbit: The Desolation of Smaug - 2013

"The Hobbit: The Desolation of Smaug" - 2013
Dir. by Peter Jackson - 2 hrs. 41 min.

Trailer #3

by Clayton Hollifield

Going into the second movie of a trilogy, you have to know that you're in for the bummer installment.  In a three-act story, the end of the second act should set in motion whatever needs to be resolved in the third act.  Usually, movies aren't sprawling trilogies, and this all plays out over the course of a couple of hours (instead of seven or eight, when we're all done and before the extended versions hit home video).  If you want to see the template for this, you can consult the original Star Wars trilogy, where "The Empire Strikes Back" is the bummer movie.  So, entering "The Hobbit: The Desolation of Smaug" (and much of a downer title is that?), you should expect that things are not going to end up well for Gandalf, Bilbo, and the thirteen dwarves.  So no complaining!

On the heels of the first film, we find Gandalf (Ian McKellan), Bilbo (Martin Freeman), Thorin Oakenshield (Richard Armitage), and the rest of the dirty dozen on the precipice of a giant forest that must be traversed due to time constraints.  Gandalf abandons the crew when something more pressing pops up, and the dwarves end up imprisoned in Elvish prisons, but still make friends.  When they escape, thanks to Bilbo's ingenuity, they continue their quest to reach the Lonely Mountain, and the dwarves can reclaim their ancestral land from a giant, possibly slumbering dragon named Smaug (voiced by Benedict Cumberbatch).

If you're familiar with the book, you'll know that this is the segment that contains both the giant evil spiders, and the escape down a river in wine barrels.  And, since Smaug is in the title of the movie, it's not really a spoiler to say that you'll also finally get a good look at the dragon (and all the riches he's hoarding).  Gandalf also has a solitary battle at a castle, which is separate from the rest of the dwarves and Bilbo's quest.  In terms of the overall tone, the first installment was more light-hearted than this one, but then again, number two out of three has to be the bummer movie.  What hasn't changed is the flair for exotic, vast settings, but a lot of them take place in vast, yet confining places (there was a lot of open space in the first installment).  In terms of the big pieces, I found the giant spider material a little underwhelming, not quite up to what comes across in the book.  On the other hand, the wine-barrel escape was spectacular, one of those action sequences that starts out well, tops itself, and then tops itself again after you think there's nowhere further to go.

Part of the joy of these films is seeing places that you've read about, and getting to nose around in them a bit.  The forest is appropriately awful and maddening, the wood elves' land is as interesting as any of the kingdoms shown in the first film.  The Harbor town, Esgaroth, is a foggy and grim place, ruled by a corrupt king played by Stephen Fry.  And finally, inside the Lonely Mountain lays untold riches and a foul-tempered dragon, and it's as awesome as if Uncle Scrooge's Money Pit had come to life.  Heck, even the bar that the film opens in, with a meeting between Thorin and Gandalf, is exactly the kind of bar I'd love to kill a few drinks in.  The entire world is appealing, and unique, and detailed, and widely varied.  This is the kind of movie you need to see on the biggest screen possible, so that you can wallow in the details and be overwhelmed by it all.

On the other hand, there isn't a ton of character development.  Gandalf is Gandalf, and he's got his own thing going on.  And by this point in the story, it's not really Bilbo's story, more a series of battles (as spectacular as they are) than a strengthening of character.  Only Thorin really develops, cracks appearing in his facade, with the very real possibility of power and riches within his grasp.  It's hard to complain about that; it's difficult to say that this film really stands on its own.  It relies on the emotional depth created in the first film to give resonance to the action here, which is fair enough.  Truthfully, we're having a very, very long film meted out a chunk at a time, and the final judgment of merit will come next December, when the entire thing is available.  Until then, it's enough that this one, for the most part, lived up to what I hoped to see on the big screen, and in a couple of instances exceeded it, and that I had a good time watching "The Hobbit: The Desolation of Smaug."  And, more important, that I'll definitely be at the theatre when part three is ready, anxiously waiting to see Smaug get his.

3.5 / 5 - Theatre (3D)

Monday, December 12, 2011

Real Steel - 2011

"Real Steel" - 2011
Dir. by Shawn Levy - 2 hrs. 7 min.

Official Trailer

by Clayton Hollifield

There are a number of contradictory statements that I need to get out of the way in regards to "Real Steel."  First, this movie was a lot better than I figured it would be.  Secondly, just because something is better than you think it's going to be doesn't mean that it's a good movie, necessarily.  Thirdly, that also doesn't mean that because a movie is better than you expect and isn't exactly what you'd call good doesn't mean that it's bad, either.  Got all that?

"Real Steel" is a movie about the world of robot fighting, which has replaced actual people fighting in the future, mainly due to the blood-thirsty nature of people who want to watch combat sports.  So you can understand why I'd be a little skeptical - when the movie's quickie description boils down to CGI Rock 'Em Sock 'Em Robots, it's easy to roll your eyes.  Add into that stock characters like the down-and-out fighter, the estranged son, and the put-upon woman who's at the end of her rope with the fighter, and it's getting easier and easier to think that the only thing you're going to get is a big, dumb, loud movie.  All the stock plot elements are there, as well (the hard-ass who gets won over by his kid while putting his life back together: redemption through offspring).  I will not stand before you and testify that there is anything important I'm leaving out here; if you've seen more than a handful of sports movies, there's nothing here that will catch you by surprise.

But, like a catchy pop song, when you hit the right notes in the right order and keep things fun, things can happen.  You may have heard the melody before, and the lyrics don't really bring anything new to the table, but that doesn't mean you can't shake your ass a little every now and then.  That's what "Real Steel" brings to the table.  The plot isn't special, but it does hit the right emotional points at the right time.  And also, you get to see ten feet tall robots punch the crap out of each other.  It's surprisingly satisfying; it's dehumanized carnage, and you don't have to worry about the health of the combatants.  One of the funniest moments of the film occurs during one of the fights.  Noisy Boy (yes, the robots all have names) loses one of his arms in the course of a fight, and a panicked Charlie Kenton (Hugh Jackman) tries to throw a punch with the arm that isn't there.  What ends up happening is that Noisy Boy sprays his oil all over the other robot, and you know there's going to be Hell to pay at that point.

The action in the film consistently delivers, which is pretty key here.  The fights are logical, not just nonsense edited together into more nonsense.  It might have taken a lot more work to put together logical fights that made sense, but if your central point is that robot boxing is the pre-eminent combat sport, it matters.  The characters also do a fun job: Hugh Jackman has a sort of swagger to him that is consistent with the character that he's playing, and his conscience Bailey Tallet (Evangeline Lilly) is a welcome source of beauty and soft curves in a film that's comprised largely of testosterone and small Transformers.

"Real Steel" is a fun movie, a big, dumb movie, and a guy version of a tear-jerker at times, too.  The whole package doesn't give any reason to expect much, but it does over-achieve.  As I put it earlier, that doesn't make it a good movie, but it's also not a terrible one.  That's a kind of a victory.  If you can check your mind at the door, it's not a bad way to blow a couple of hours.

2.5 / 5 - Theatre