Showing posts with label resident evil. Show all posts
Showing posts with label resident evil. Show all posts

Saturday, October 27, 2012

Resident Evil: Apocalypse - 2004

"Resident Evil: Apocalypse" - 2004
Dir. by Alexander Witt - 1 hr. 34 min.

Official Trailer

by Clayton Hollifield

Stage two: escape the city.  Now, I don't hold it against a film that's based on a video game franchise that it plays out like a video game.  That's actually a positive, all things considered.  But if the first "Resident Evil's" objective was to escape The Hive, "Resident Evil: Apocalypse's" objective is to escape the city.  Unfortunately, this is a much less interesting level than the first.

"RE:A" overlaps with the end of the first film (even recycling some footage).  At the end of the first installment, Alice (Milla Jovovich) wakes in a lab, hooked up to wires, and stumbles out of a hospital to find Hell on Earth.  To begin, we rewind a little bit, and discover that the T-Virus (a virus that reanimates dead tissue, which means yes, zombies) had not been contained within The Hive.  Once loose in Raccoon City, we get zombies roaming a reproducing by putting their mouths on whatever they can.  The Umbrella Corporation acts quickly, sealing off the city in an attempt to contain the effects of the T-Virus to the city.  This leaves both the infected and the uninfected trapped.  There is a way out for a few people though.  The Umbrella Corporation botched an early extraction of a scientist's daughter, and he strikes a deal with whomever he can to get her out of the city in exchange for passage out of the doomed city.

While the first film had the claustrophobic underground setting to tease tension out of, "RE:A" comes off like a shitty 1980s low-budget horror film.  On what looks like a studio back-out, zombified Raccoon City denizens shuffle and shamble around cars that are on fire and broken storefronts.  There are the big special-effect monsters, which kind of look like syphilitic cock-monsters with embedded eyes, and they must of course die.  The school where the scientist's daughter is hunkered down in isn't nearly as good of a locale for terror as The Hive was, but at least the film had the good sense to bring the meat dogs back for another go-around.  There's the evil Umbrella Corporation employee with a weird accent (Thomas Kretschmann), the good scientist with a weird accent (Jared Harris), the S.T.A.R.S. infantryman with a weird accent (Oded Fehr); it seems like half the lines delivered in this film were done so by people who might not speak English as a first language.  But that, along with the meat dogs, is appealing.

There are huge problems with the film, mainly that it's so predictable.  Of course the reporter chick has to die, because she's so annoying.  Nemesis, one of the aforementioned cock-monsters (and has his origins in the first installment), has to die because he's so ugly.  The evil Umbrella Corp employee has to die because he's such a dick about everything.  And beyond that, there are basic, unaddressed points within the story itself.  First off, why would anyone live in a walled city?  Surely The Umbrella Corporation didn't erect a wall around Raccoon City upon discovering that the T-Virus hadn't been contained.  There are scenes shown in the city itself where it appears to be your average suburban community.  Wouldn't you be a little curious as to why there were already walls built around the entire city?  And secondly, the outfit worn by one of the main female characters, Jill Valentine (Sienna Guillory).  If you were in a city overrun by zombies, where an errant scratch or bite could mean your fate, how you choose to dress?  Personally, I'd favor something like a Ghostbusters outfit, but Ms. Valentine went with a tube top, mini-skirt, and boots (just in case you might confuse her for a hooker).  That's an awfully generous amount of flesh to bare in that scenario, but somehow she survives the film.

This is just a poor film at every turn.  Milla Jovovich's role seems to be minimized in favor of Sienna Guillory's, and that's not to anyone's benefit.  Mike Epps shows up to do what Mike Epps does, which is mostly talk loudly and deliver bad dialogue.  The setting isn't interesting, the story isn't interesting, the monsters (save for the meat dogs) aren't interesting, the film isn't interesting.  Arguably, this film would have been better on a shoe-string budget and with all the money for CG effects instead earmarked for cheesy prosthetics and matte paintings; at least that would have yielded an "I can't believe they actually cobbled together a finished film" sense of bewildered amusement that those sort of films can offer.

1 / 5 - DVD

Sunday, October 21, 2012

Resident Evil - 2002

"Resident Evil" - 2002
Dir. by Paul W.S. Anderson - 1 hr. 40 min.

Official Trailer

by Clayton Hollifield

Although "Resident Evil" has proven to be durable franchise, both in video games and film, it's also kind of cookie-cutter.  This first installment in the franchise is probably most guilty of that - there isn't a ton here that hasn't either been presented in other films before or after.  It's not a bad movie exactly, it delivers what it promises.  But most of it's appeal lies with whether you had played the games or really like the actors involved.

There is a secret underground laboratory in Raccoon City called "The Hive," and it's automated systems go bonkers and kills everyone who works there.  Also, a woman wakes up naked and disoriented in her shower, and as she's trying to figure out exactly what it going on, a military-style troupe breaks into her house, scooping up both Alice (Milla Jovovich) and her husband, Spence (James Purefoy).  They, along with the military crew, have to break back into the Hive and disable the Red Queen, the artificial intelligence that runs the Hive.  And zombies.  Let's not forget the zombies.

As I wrote, there's not a lot new here.  Part of the problem has been the proliferation of zombie movies over the decade that's passed since "Resident Evil" came out, but part of the problem is that the movie really does feel like a video game.  The dialogue is perfunctory and trite, there's minimal character development (indeed, two of the main characters, including Alice, suffer from temporary amnesia).  Actually, pretty much all of the character development occurs within about five minutes in the film, where both of the amnesiacs spontaneously recover their memories, and with that, remember their actual motivations.  The setting itself feels like it could have come from "Doom" (movie or game, take your pick).  The story here just doesn't give itself much to work with.

But, is it cool?  Kinda.  There are a bunch of ravenous zombies in the hive, and a couple of horrific creatures.  Probably the coolest of them are the meat dogs (I have no idea what they're really called, they look like dogs that are draped at a butcher's shop, thus the meat dogs).  Michelle Rodriguez's character gets bitten by a zombie fairly early, so we get to see the slow-change over the second half of the film.  The Hive is pretty cool (although not as cool as the underground structure in "The Andromeda Strain"), and Milla Jovovich is really cool.

This whole ball of wax rests on whether you really enjoy any of the components previously mentioned.  If you're a fan of the game, any of the actors (particularly Jovovich), or zombie movies in general, this is a completely passable film.  It's not good, but it's competent.  I didn't think there was much that was all that scary, but part of that is that there wasn't much to invest in regarding the characters.  That's slowly rectified in future installments, but is definitely a weakness here.  But those meat dogs were pretty awesome, maybe the best part of the film.

2.5 / 5 - DVD