Showing posts with label craig robinson. Show all posts
Showing posts with label craig robinson. Show all posts

Sunday, January 17, 2016

Hot Tub Time Machine 2 - 2015

"Hot Tub Time Machine 2" - 2015
Dir. by Steve Pink - 1 hr. 33 min.

Official Trailer

by Clayton Hollifield

You know how, when you get a second album by a band you really liked, and only this time there's a new singer or a new guitarist, how that usually means trouble?  That.  Or like when your favorite basketball team suddenly trades away their borderline all-star who made everyone around him better, you know you're going to be in for a long season?  That, also.  In the world of "Hot Tub Time Machine 2," the key missing element would be John Cusack, who was also the only decent actor among the cast.  So when you remove the one guy who can act, and bring back everyone else...

What's left.

This time around, success is not enough for Lou (Rob Corddry), Nick (Craig Robinson), and Jacob (Clark Duke).  Lou goes off the deep end (or just continues his trajectory, more accurately), and ends up getting shot in the dick (yes, really) at his own party.  Since Lou has possession of the hot tub of extraordinary powers, all three hop in to try and head off Lou's impending assassination.  As it turns out, they end up ten years in the future, because they go where they're needed to be, not where they want to be. 

First off, the positives.  There are some funny bits here; it's not that the cast isn't funny, it's that they can't act.  So the dialogue is good, the timing is good, even some of the comedic premises and performances are good.  In particularly, I was laughing at a game show called "Choozy Doozy," a scene at an urgent care clinic, and there are good lines all the way through.  Adam Scott was funny in his role as John Cusack's straight-laced son.  This is far from the worst movie I've ever seen.  While I wasn't happy with it overall, there were parts I enjoyed, and it didn't drag too badly.

Three guesses which one the audience chooses...

But the first movie was unusual, partly because it felt a little more honest, which was partly due to building it around Cusack, who has the ability to make you think there's more going on than there is actually going on.  Even though the first installment was a "R-rated comedy," which has become a genre of it's own, seeing an unusual face like Cusack's involved lent credibility to the whole affair, suggesting that film was going to be a bit more than swearing, nudity, and copious irresponsible behavior.  Minus that, the sequel has to rely on the one-note asshole Lou and the wooden Nick as it's leads.  This does not work nearly as well.  Corddry at least seems committed to the role, Craig Robinson seems barely awake for much of the time.  I'm not exactly mad at anyone involved with the film; get your cash when it's on the table.

The second big issue I have is that the premise of the movie is unrelatable.  It's entirely believeable that people have regrets, and would gladly take a mulligan on some of their earlier behavior.  This time around, the characters actually debate trying again because they think they can do better than being worth $2.6 billion (Lou), and then have to prevent the least likable character from getting murdered.  Even Lou doesn't seem to care about preventing his own death; it's only the fact that he starts "flickering" when he goes off trail that keeps him sort of on-point.  So if they don't care and I don't care, who cares?

"Webber Strut"

After the first film, my working theory was that the characters were all doomed to failure because none of them could get anything right the first time, and that would ultimately catch up to all of them.  I guess I was right.  But all in all, this feels like when they killed off Vin Diesel's character in "xXx" because he didn't want to do a sequel, and then we got a shitty sequel that starred Ice Cube in such terrible shape he wore the equivalent of a parka for the entire film.  If Vin wanted to do another "xXx" film, I feel like it would happen in short order, but we'd all like to forget about that half-assed sequel.  If John Cusack ever wants to get involved with the "Hot Tub" series again, I'd be on board instantly.  Until then, no more awful half-measures, please.

1.5 / 5 - Streaming

Thursday, February 20, 2014

This is the End - 2013

"This is the End" - 2013
Dir. by Seth Rogen and Evan Goldberg - 1 hr. 47 min.

Red Band Trailer

by Clayton Hollifield

"This is the End" is the movie to see if you want to see Seth Rogen freaking out and saying "oh fuck" over and over again.  This is your jam!  Or, if you'd like to see any number of the Class of 2004 from Hollywood all in one film.  To be sure, there is more to "This is the End" than just that, but those are probably the only two guaranteed things are sure to guarantee your enjoyment.  It's better to look at this film as being a Christmas present that the stars of this film have sent to their fan club members, a sort of thank-you for having been along for the ride.

Jay (Baruchel - this is a movie where everyone is playing "themselves," or at least playing off their image) arrives at the airport in Los Angeles, where he's picked up by his friend, Seth (Rogen).  They indulge in some vintage Rogen relaxation techniques before Seth gets Jay to begrudgingly agree to go to a Big Hollywood Party at James Franco's place.  Seth fits in, but Jay has a chip on his shoulder, which becomes a problem when all Hell breaks loose!!!  I mean that literally; the rapture has come, the pious ascend to Heaven in a beam of blue light, and the Earth opens up to swallow the sinners.  When things calm down a bit, five men are left standing in James Franco's house: James, Jay, Seth, Craig (Robinson), and Jonah (Hill).  After the required freak-out session, they all go to sleep, and wake up to find that Danny (McBride) has shown up, and has cooked all of their supplies into a giant breakfast feast.  Let the squabbling commence!!!

There are two big "ifs" as to whether you're likely to enjoy "This is the End," and that's even before we get to the content of it.  Firstly, at least part of the humor of the film relies upon some knowledge of exactly who the actors are, in the first place.  If you don't care who Michael Cera is, for instance, you might still laugh at his actions, but you're not really getting the joke.  If you're someone who's been watching this loose cabal of actors since "The 40 Year-Old Virgin," you'll get a lot more out of it.  Secondly, there's the issue of whether or not you're willing to engage with something as utterly meta as a bunch of actors trying to play off of their public personae.  Insider Hollywood movies aren't anything new, but it's a genre that requires a lot of useless knowledge, and might be off-putting to some.  So be warned.

But if you're into all of that, there's some good times to be had.  A lot of the movie feels ad-libbed, and as such, there are a lot of great throwaway lines.  Also, considering the cast, it's inevitable that they would reference earlier work (and not just jokes about "Your Highness"), and this film contains a "sequel" to one of this cast's earlier films that had me rolling in laughter.  That was easily the highlight of the film, along with a shouting match between Danny McBride and James Franco.  And, this film is the land of one million cameos, which is fun in it's own right.  On the other hand, if you don't enjoy a film with admittedly funny actors bickering with one other, or aren't as amused by the idea of having an anatomically-correct fifty-foot tall demon as Seth Rogen seemed to be during his talk show appearance for this film, some of the material is going to fall flat.

I'm not going to pretend that I didn't laugh all the way through "This is the End," or that there weren't at least a couple of parts that absolutely killed me.  But "This is the End" simply isn't as sharp as any member of the cast's best work.  There are moments, there are "wouldn't it be funny to see ___" bits all over the place (shout out to Channing Tatum for the king of those), and the cast combined with the premise was enough to make me want to see "This is the End" in the first place, but it didn't prove to be enough to result in a great (or even very good) film.  So, if you're a fan of this batch of actors, enjoy this the way you'd enjoy a b-sides album by one of your favorite bands.  You know there's a reason these ideas weren't included before, but there are still a few nuggets of gold to be found if you search a little bit.

2 / 5 - TV (HD)

Monday, November 19, 2012

Hot Tub Time Machine - 2010

"Hot Tub Time Machine" - 2010
Dir. by Steve Pink - 1 hr. 41 min.

Official Red Band Trailer

by Clayton Hollifield

Now that I've watched "Hot Tub Time Machine" a handful of times, I think this might be one of the darkest comedies ever committed to film.  Part of that is John Cusack; no matter the film, he always seems to have a cloud hanging over his head (and is still completely watchable, which is his magic trick).  But the entire premise is completely messed up, and as jammed full of real, relatable human misery as I've ever seen, and is still riotously hilarious.

A frayed group of miserable friends in their forties is reunited when one of them, Lou (Rob Corddry) described as being "an asshole, but he's our asshole," lands in the hospital what maybe possibly could have been a suicide attempt (he was drunk, and left the car running in his garage.  His friends, Nick (Craig Robinson) and Adam (John Cusack), plus Adam's nephew, Jacob (Clark Duke) plan a weekend bacchanal at Kodiak Valley Ski Resort.  Upon arrival, they find out that the resort has decayed a bit from its glory days during their collective youth.  They charge forward, and spend the night punishing the hell out of their livers, and wake up in their suite's hot tub. The tub has somehow transported the crew back to 1986, giving them a chance to relive one of their greatest weekends (for most of them).

First off, all of the characters are completely miserable, and it's not some vague malaise that can't quite be defined.  Nick works at a dog-groomer's, fishing keys out of the wrong end of dogs, having given up on the music career he sought as a teenager at his wife's request.  Adam has just broken up with a long-term girlfriend, and not in a painless way.  Jacob is isolated in Adam's basement, content with playing Second Life even though his character has been imprisoned within the game, and barely aware that someone in his own house has moved out.  And Lou has taken the drifting apart of his friends and resulting isolation very, very hard.  These are all real-life situations that people may find themselves in, and not knowing how to get out of.

In 1986, though, at a mysterious janitor's (Chevy Chase) insistence, they all have to relive the weekend exactly the way that it happened.  The weekend had a nostalgic haze over it, but this isn't a great deal for any of them (not to mention Jacob, who wasn't even born, and thus is completely bewildered by the 80s).  Adam has to break up with the girl that he'd always regretted breaking up with (and get stabbed in the eye with a fork), Lou has multiple ass-beatings in his immediate future, and since Nick had managed to pull a groupie after his mediocre singing performance, it dredges up some intense emotions regarding his current marital situation (and he cries all the way through the sex).  It doesn't take any of them very long to go into business for themselves, regardless of the consequences.

But for the most part, things end up with the same results, regardless of the details of how each of them arrives at the end of their road.  And this is the message of the film: you cannot escape your destiny.  But the opportunity does arise for one of them to break free; Lou admits that he was trying to kill himself, and didn't want to return to the future, knowing that he'll just keeping trying until he gets it right.  When the rest of them do return to the future, it turns out that Lou had used all of his "future knowledge" to make a fortune.  In the present day, we now have Lougle and Motley Lue, and he's used his fortune to help his friends see out their  dreams as well.

This is where the film turns so black for me; Lou only succeeds because he's given a second chance and has insider knowledge.  But every last one of these characters has screwed up everything they do on the first pass.  Once they've outlived what they already knew, and don't know what bad choices they have to avoid, they're sure to screw everything up all over again.  And although the film ends on a high point for all involved (and then with a kick-ass Motley Lue video for "Home Sweet Home"), if you've paid attention at all to what the story has been telling you, this is only a momentary success for these men.  And the fall will be even harder this time, since they've all had to be rescued from their own failures once before, tasted mead in Valhalla, and then have to return to being failures.  You cannot escape your destiny, no matter what roads you take to get there.

There's no end of really funny material here, even upon repeat viewings (I think I'm up to four or five times around now).  But if you're in a bad mood, or feeling nostalgic for when you actually used to see your friends, those are the wrong frames of mind to watch "Hot Tub Time Machine" in.  Laughter is supposed to help you out, but the downer message really stuck with me this time around.  But that doesn't diminish the movie in any way, grounding the characters so successfully makes the good times feel a little bit better.

3.5 / 5 - DVD